Why You Should Choose PEX Tubing

February 20th, 2011

PEX tubing is rapidly beginning to replace all other types of plumbing materials in new construction. This is because it has many huge advantages over traditional materials. If you are planning to build or remodel, install radiant heat floors, or upgrade your current plumbing, you will probably come across this type of tubing.

It is manufactured from a high-density polymer, which is incredibly strong and flexible. This is why it is so popular for use with radiant heat flooring. It can be bent at right angles without needing a elbow connector. It also resists crushing and crimping. You can see how this flexibility would make it preferable to rigid pipes for almost any application.

Its flexibility has other advantages. It can be produced, rolled, and shipped in long lengths. This means it costs less to ship. Because it comes in a long, continuous tube, it does not require a lot of connections to get it to the required length. It takes less time and work to install. The job can get done faster and cost less than using other types of plumbing materials.

PEX tubing has several environmental advantages. It conserves energy by minimizing heat lost through the material. Plus, other types of plumbing requires the use of solder and flux to make the necessary connections. This leaches lead and acids into the water and and surrounding soil. The fact that PEX pipe requires no flux or solder means there are no dangerous chemicals introduced into the environment.

Another positive thing about PEX plumbing is that fewer connections means fewer places where the plumbing can develop leaks. This can save the homeowner a lot of hassle and expense down the line. Money is saved on both plumbing repairs, and possible costly repairs of the damage caused by any leaks within the walls or foundation.

If you are considering radiant heat flooring there is something to note. You will need a special kind of PEX that has an oxygen barrier property. Some materials in flooring can corrode with exposure to oxygen, so a variation of tubing was created to eliminate this problem. Be sure your contractor is using an oxygen-barrier PEX for any walkway or floor applications.

So for your next construction project, definitely look into the advantages of PEX tubing. Chances are it will be less expensive, both to purchase and install, than rigid pipes. You will also greatly reduce the risk of costly problems later on.

Order Clark Gable Collection, Vol. 1 Video At Amazon!

January 24th, 2011

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20th Century Fox Home Entertainment expose “Clark Gable Collection 1″ (The Call of the Wild/Soldier of Fortune/The Gargantuan Man) — (Dolby digitally remastered) …featuring top performances by actors to die for from the ’30s, ’40s and ’50s with outstanding residence lines and screenplays…from memorable films that will leave you sitting on the edge of your seat completely engulfed in the legend and every scene…so pop some popcorn, sit assist and relish the movie.

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First up we have “THE CALL OF THE WILD” (1935) (95 min. B/W) …under director William Wellman, producer Darryl F. Zanuck, unusual by Jack London, screenplay by Gene Fowler and Leonard Praskins, unique music by Alfred Newman…the cast include Clark Gable ( Jack Thornton), Loretta Young (Claire Blake), Jack Oakie (Shorty Hollihan), Frank Conroy (John Blake), Reginald Owen (Smith), Sidney Toler (Joe Groggins), Katherine de Mille (Marie), Lalo Encinas (Kali), Charles Stevens (Francois), James Burke (Olle), Duke Green (Frank) . . . . .our sage has Clark Gable and Jack Oakie headed for gold in them thar hills…Gable purchases a sled dog Buck who is piece wolf and saves his life once or twice during the film…Loretta Young is searching for her husband Frank Conroy who leaves her to search for another positive vein of gold…a closeness develops between Gable and Young during the sprint, when Gable realizes he must attend accumulate her husband and makes things honest…..the interaction between Gable, Young and Oakie has a honest and lifting ingredient not found in todays films…once again Gable steals the scenes as fraction hero, devil may care and gracious character that he is.

Special footnote, actor Clark Gable was signed in 1930 by MGM’s Irving Thalberg. Joan Crawford asked for him as co-star in “Dance, Fools, Dance” (1931) and the public loved him manhandling Norma Shearer in “A Free Soul” (1931) the same year. “The Painted Desert” (1931) His unshaven lovemaking with bra-less Jean Harlow in “Red Dust” (1932) made him MGM’s most critical star…”Dancing Lady” (1933) Gable refused an assignment and the studio punished him by loaning him out to (at the time) low-rent Columbia Pictures, which effect him in Frank Capra’s “It Happened One Night” (1934), which won him an Oscar, “China Seas” (1935) “The Call of the Wild” (1935) to a far more sizable roles at MGM, such as Fletcher Christian in “Mutiny on the Bounty” (1935) and Rhett Butler in “Gone with the Wind” (1939), “Wife vs. Secretary” (1936,It was at Gable’s 36th birthday that Judy Garland sang “Dear Mr. Gable: You Made Me Fancy You.”, he was only beginning with films like “San Francisco” (1936), Irregular Cargo” (1940), “Utter Town” (1940), “Honky Tonk” (1941), “Across the Wide Missouri” (1951), “Lone Star” (1952), “Mogambo” (1953), “The King and Four Queens” (1956), “Band of Angels” (1957), “Teacher’s Pet” (1958), “Speed Tranquil Hasten Deep” (1958), “But Not for Me” (1959), It Started in Naples (1960) …playing a cowboy in his last film, “The Misfits” (1961), which was also the final film for co-star Marilyn Monroe, the aging Gable diligently performed his believe stunts, taking its toll on his already guarded health. He died from a heart attack before the film was released, Named the #7 greatest actor on The 50 Greatest Cloak Legends List by the American Film Institute…Gable was quoted “The only reason they near to peruse me is that I know life is tremendous – and they know I know it, I’m no actor and I never have been, what people examine on the veil is me.”…it was fellow friend and actor Spencer Tracy who dubbed Gable as “The King”.

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SPECIAL BIO:

1. Clark Gable (aka: William Clark Gable)

Date of birth: 1 February 1901 – Cadiz, Ohio,

Date of death: 16 November 1960 – Los Angeles, California

BIOS:

1. Loretta Young (aka: Gretchen Young)

Date of birth: 6 January 1913 – Salt Lake City, Utah

Date of death: 12 August 2000 – Los Angeles, California

2. Jack Oakie (aka: Lewis Delaney Offield)

Date of birth: 12 November 1903 – Sedalia, Missouri

Date of death: 23 January 1978 – Los Angeles, California

3. William Wellman (aka: William Augustus Wellman) (Director)

Date of birth: 29 February 1896 – Brookline, Massachusetts

Date of death: 9 December 1975 – Los Angeles, California

4. Jack London (aka: John Griffith Chaney) (Author)

Date of birth: 12 January 1876 – San Francisco, California,

Date of death: 22 November 1916 – Glen Ellen, California

Second film is “SOLDIER OF FORTUNE” (1955) (96 min Color) …under director Edward Dmytryk, producer Buddy Adler, book author and screenplay by Ernest K. Gann, Hugo W. Friedhofer (Composer (Music Acquire), Lionel Newman (Musical Direction/Supervision . . . . .cast includes Clark Gable (Hank Lee), Susan Hayward (Jane Hoyt), Michael Rennie (Inspector Merryweather), Gene Barry (Louis Hoyt),Alex D’Arcy (Rene), Tom Tully (Tweedie), Anna Sten (Mme. Dupree), Russell Collins (Icky), Leo Gordon (Mammoth Matt), Richard Loo (Po-Lin), Soo Yong (Dak Lai), Frank Tang (Ying Fai), Jack Kruschen (Austin Stoker) . . . . .our narrative is based upon the Ernest Gann modern with quick-witted characters doing what they do best, Gable (American mercenary), Hayward the wife searching for her husband, Gene Barry the husband and Michael Rennie trying to win Gable at his smuggling… Gable accepts the task of finding Barry who is captive by the Chinese Communist authorities on a trumped up charge of spying… how Gable pulls pff the rescue is the animated venture of the myth…will he obtain the girl Hayward, who he has fallen deeply in worship with, that my friend is what you’re about to scrutinize…fabricate effect of some ample shots of Hong Kong during that era, gives the film body as actually being there.

BIOS:

1. Susan Hayward (aka: Edythe Marrenner)

Date of birth: 30 June 1918 – Brooklyn, Original York

Date of death: 14 March 1975 – Hollywood, California

2. Michael Rennie (aka: Eric Alexander Rennie)

Date of birth: 25 August 1909 – Bradford, Yorkshire, England, UK

Date of death: 10 June 1971 – Harrogate, Yorkshire, England, UK

3. Gene Barry (aka: Eugene Klass)

Date of birth: 14 June 1919 – Modern York, Fresh York

Date of death: Composed Living

4. Edward Dmytryk (Director)

Date of birth: 4 September 1908 – Titanic Forks, British Columbia, Canada

Date of death: 1 July 1999 – Encino, California

Third film on the collection is “THE Immense MEN” (1955) (122 min Color) …under director Raoul Walsh, produced by William A. Bacher and William Hawks, book author Clay Fisher, screenplay by Sydney Boethm and Frank S. Nugent, music by Victor Young (Musical Direction/Supervision / Composer (Music Accept), songs by Ken Darby. . . . . .cast includes Clark Gable (Ben Allison), Jane Russell (Nella Turner), Robert Ryan (Nathan Stark), Cameron Mitchell (Clint Allison), Emile G. Meyer (Chickasaw), Juan Garcia (Luis), Harry Shannon (Sam), Steven Darrell ( The Colonel) . . . . . our anecdote is a familiar one, as in “Red River” (1948, this film is a profitable action western featuring Gable, Russell and Ryan all itching for the destroy of the rainbow and what money can bring them…broad direction by Raoul Walsh and Leo Tover unhurried the camera with sweeping shots that we all like in a western….Ryan is a cattleman who talks Gable and his brother Cameron Mitchell into heading Texas cattle to Montana…on the map they meet up with Jane Russell and spark cruise between her and Gable, but don’t count out Ryan as he has titanic ideas for an empire and Russell unprejudiced might topple into his plans…at the destroy of the drive who will reach away with all the cards, and where does “Prairie Dog Creek” fit in…this is one of Gables best westerns and he is up to his classic style of acting, don’t miss this one.

BIOS:

1. Janes Russell (aka: Ernestine Jane Geraldine Russell)

Date of birth: 21 June 1921 – Bemidji, Minnesota

2.. Robert Ryan (aka: Robert Bushnell Ryan)

Birth Date: 11/11/1909 – Chicago, Illinois

Died: 7/11/1973 – Modern York, Novel York

3. Raoul Walsh (aka: Albert Edward Walsh) (Director)

Date of birth: 11 March 1887 – Fresh York, Novel York

Date of death: 31 December 1980 – Simi Valley, California,

BONUS SPECIAL FEATURES:

“Call of the Wild” (8/09/1935) …Commentary by author Darwin Porter; Restoration comparison; Photo gallery; Novel theatrical trailer;

“Soldier of Fortune” (5/27/1955) …Commentary by author Danforth Prince; Restoration comparison; Photo gallery; Fresh theatrical trailer;

“The Enormous Men” (10/06/1955) …:Behind-the-scenes and production stills galleries; Current theatrical trailer & more!

Want to thank 20th Century Fox Home Entertainment for releasing “Clark Gable Collection 1″ (The Call of the Wild/Soldier of Fortune/The Substantial Men), the digital transfere with a elegant, positive and crisp print…looking forward to more high quality releases from the vintage era of the ’40s & ’50s…order your copy now from Amazon or 20th Century Fox Entertainment where there are plenty of copies available, pause tuned once again for top notch fabulous character actors of the cinema brought befriend so many incredible memories of the times when film makers cared about you who purchased a brand and came benefit for more…fair the contrivance we like ‘em.

Total Time: 3-DVD-Set ~ 20th Century Fox Home Entertainment #2236485 ~ (8/15/2006)

This collection of Clark Gable’s three films for 20th Century Fox is probably more for fans than casual viewers, but there’s detached remarkable to luxuriate in here. The vast disappointment is that William Wellman’s 1935 version of The Call of the Wild is only the slit (by some 14 minutes) wartime reissue version rather than the novel. Any resemblance to anything written by Jack London is purely coincidental: it’s residence in the Yukon, and there’s a dog called Buck in it who has to pull a thousand pound weight in one scene for a bet, but that’s about it. But this Buck is a mountainous St Bernard and he’s only a bit player in a gold hurry romp tailored for Clark Gable – but then at the height of his popularity, audiences would probably have burned the theatres to the ground if he’d played second fiddle to a hound. More well-known for Gable and co-star Loretta Young emerging from the snowed-in on-location shoot with an illegitimate child, it’s an palatable enough narrative even in the abridged reissue reduce that now seems to be the only version surviving, although it shamefully throws away Reginald Owen’s pleasant villain, who deserves a grand better exit than he gets here.

Best of the bunch is Soldier of Fortune, a crowd-pleasing potboiler from the days when Technicolor was graceful (okay, it was shot in De Luxe, but the same principle applies) and CinemaScope really was CINEMAScope. There’s not noteworthy action (the final rescue is laughably easy), but Ernest K. Gann’s script is mercurial fun, Clark Gable and Susan Hayward play well off each other, Michael Rennie and the colourful supporting cast more than regain their pay, Hong Kong probably never looked better on veil and there’s a pleasingly lush romantic accumulate from Hugo Friedhofer. Arresting to gape director Edward Dmytryk, the one member of the Hollywood Ten to recant (after being appalled at the Party’s treatment of his family while he was in prison), turning in such an anti-Communist oater, but he handles it with flair. A deathless classic? Hell, no – but gigantic entertainment.

The Enormous Men has a huge opening half hour, but once the snow clears it’s pedestrian and overlong all the scheme despite the combined star power of Clark Gable, Robert Ryan and Jane Russell. The DeLuxe color is problematic throughout – the early scenes and studio footage stare astounding, but out in the wide-open country it tends to do everything on the waddle seek bleached out and monotonous, the early CinemaScope lenses probably exacerbating the limitations of the system. Unruffled, there’s some big dialog and Ryan gets to roar the definitive description of his co-star – “There goes the only man I ever respected. He’s what every boy thinks he’s going to be when he grows up and wishes he had been when he’s an stale man.”

Not an critical win by any means, but on the whole an intriguing one.
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Vehicle Stereo System Speaker: Let Your Vehicle Music System Speak For Itself

October 13th, 2010

Even if you’re not a car or truck audio connoisseur, it’s easy to be impressed with a car stereo system speaker while looking around in an expo or convention. Hyundai center caps. They’re the 1st thing you’ll likely notice, they come in several colors, shapes and sizes. Those significant throbbing concaves blaring incredibly low bass lines or cool little tweeters whistling out seething treble sounds.

Auto stereo system speakers are interesting and quite tempting to purchase, especially the large loud ones. But huge is not often the ideal. Each speaker has its own unique quality, intended use and cost range. Some may possibly also be better than others at specific things so it pays to investigate your kind of auto stereo amplifier or head unit before you finally decide on a vehicle stereo system speaker to your process. Here are some features to think about:

Car or truck music system speakers aren’t all the same size and wattage, and this can cause a issue once you try to hook it up in your automobile. Know the specs of your program. Sort this out ahead of time, it will save you many hassle. You’ll be happier with your new acquisition if it is possible to get to see it in action as soon as feasible.

You can find also many car stereo amplifiers on the market, it pays to become aware of how the automobile music system speaker you will be considering compares to the others, and how compatible it’s to your amplifier or the amplifier you’re planning to purchase. Vehicle stereo system speakers and amplifiers go hand in hand. You’ll want the auto stereo system speakers you buy being suitable for your automotive entertainment needs and not strain the program.

Style could be an important factor when choosing your special car or truck stereo system speakers. You’ll want the 1 you pick to fit in perfectly with your other all sorts of music system speakers. If you’re planning to install something various, you have to take into consideration the modifications your going to have to make to be able to accommodate your new car or truck stereo system speakers.

One of the greatest issues in acquiring a new type of car music system speaker is suitability. How suitable your car or truck stereo system speakers are is possibly the greatest issue. Don’t forget the reason you are acquiring the sort of automobile music system amplifier in the 1st place, and make sure that the all sorts of music system speakers you’re searching at will do the job you need no matter what other fancy features they might provide.

Brand is an critical consideration when you happen to be shopping for a auto stereo speaker. The fact is, 1 brand of type of automobile stereo amplifier may well have a much much better reputation than an additional, and for great purpose. You be the judge. Do your research. Ask car or truck audio enthusiasts. Read magazines and reviews. Do you need to take a chance on just any auto stereo system speakers, or go for the proven name brand?

Lastly, price tag is crucial even in the event you think it’s not. After all, would you would like to pay much more for your car or truck stereo speakers only to discover it cheaper the next day at a diverse store? Nobody likes that. When shopping for much better car or truck stereo speakers, it pays to check at least a couple of various stores, just to ensure you are getting your car or truck stereo system speakers at the greatest price.

What is The Point Of Center Caps?

September 28th, 2010

Are they hubcaps, Honda center caps or wheel covers? What’s the distinction among them? Exactly where did they arrive from anyway? These questions tend not to normally come to mind but they’re interesting.

Folks who love cars have produced a love of hubcaps as well. You will discover those that say the structure of the Chrysler Building gives tribute to it.

So, how did they come around to begin with? At first, they were required. In the beginning, automobiles used wooden spokes. These spokes linked the outside rim to hub where the wheel bearing is at. The wheel bearing is packed with grease. A cover was necessary to keep the grease in and the dirt out.

A hub cap was needed. Now you know it began as a useful item. Tiny in size, it covered the center cap and left the spokes uncovered. The wooden spokes did not last long. When they were new, they were polished and occasionally festooned making use of pin-striping. Age mad them pin striping crack and unappealing. From a distance, autos that had old spokes were heard.

Toward the end of the twenties and thirties, steel wire spokes were created. Center caps were even now needed. Again, the spokes were left uncovered. The thirties, practicality became second to fashion. Hubcaps were stamped with the name of the auto maker in brass or stainless steel and they were even larger. Caps were supposed to get stylish; but the spokes however showed. They were complicated to clean along with the wind noise when traveling down the road was maddening.

In 1934, Cadillac developed the first disc that protected the full wheel. It furnished a streamlined look.

1938 ushered inside the use of pressed steel wheels by Cadillac. These hubcaps were full sized. Cadillac built them a sign of comfort and elegance. Soon, Cadillac owners realized their hubcaps were in high demand when they were stolen by hot rodders. These hot rodders utilized them on the customized cars from the 30′s, 40′s and 50′s.

The 1970′s brought the introduction of the use of plastic hubcaps by automobile makers on the cars. Steel hubcaps were tossed aside during the 80′s and plastic hubcaps continued on. Plastic routinely makes people think of cheap and very easily broken pieces. That is untrue with this plastic. The plastic used on hubcaps is weightless, strong and durable. Some weightless hubcaps come right off a car. Keep in mind that automobile manufacturers produce these items that are not all that perfect either. They also come off with ease. It is not enough to have all these things combined though. All hubcaps must have an unyielding retention system. A 360 degree, all steel retention ring is the absolute best. It simply holds on to the wheel and holds the hubcap in place.

Since you have become an expert as it pertains to the history of the hubcap, you can impress your friends at the next get together with the facts that you have learned.

Purchase The Reckoning Using The Net.

September 26th, 2010
Purchase The Reckoning Using The Net..
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This 2004 film is dwelling in medieval England in the year 1300. Paul Bettany plays the role of a priest who has been discovered in an act of adultery and has to urge for his life. He meets up with a traveling troupe of actors whose leader is Willem Dafoe, and the group enters a town in the hope of making a few shillings and having their traveling cart repaired.

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The townspeople are not fervent in their play because there is a loyal life drama unfolding around them. A quiet woman is accused of witchcraft and sentenced to hang for the slay of a young boy. The players resolve to make a play about that incident and Willem Dafoe visits her in her jail cell where she tells her account through stamp language. Convinced of her innocence, they gain a unusual play. But naturally there are complications.

Filmed in Spain and England, the feeling of the times, and especially of the dirt, disease and poverty are captured well. The memoir is a qualified one although a petite hard to follow. But, by the waste, however, I understood it perfectly. Acting was uniformly satisfactory and I did feel the complexities of such an ambitious status. However, the film editing could have been better. In one scene particularly, there were a few discordant spots that would have been better left on the cutting room floor.

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Also, in spite of the attempts of the producers, this was no Shakespearean play. And although I did delight in it, it was always from an outsider’s perspective. I never really got caught up in the emotion.

I was also hoping for some extras on the DVD because I would have liked to go a limited bit slow the scenes. But, alas, there was none.

Generally, I contemplate this film was obedient. And it does gather my recommendation. It unbiased doesn’t belong at the top of my list.

The Reckoning is yet another fantastic part of filmmaking that slipped under most people’s radar. A 13th Century destroy mystery it is visually attractive, mixing barbaric with novel sensibilities (sometimes a bit too great) .

Paul Bettany is Father Nicholas a young, dishonored priest now fugitive fleeing his outraged parish for his life. Eventually meeting up with a troupe of traveling actors headed by Martin (Willem Dafoe) their roaming ends up in a village where a calm woman is to be assign to death for the kill of a young boy.

Nicholas, Martin and company alter their morality plays to mediate the injustice surrounding them upsetting the authorities and worthy of the populace. Oh yeah, and then there’s the plague!

A though-provoking movie The Reckoning will probably not be to everyone’s liking, but if you devour period pieces particularly medieval, this one features a terrific cast and is emotionally satisfying as well as theatrically compelling.

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Buy What a Girl Wants (Widescreen Edition) Blu Ray At Amazon!

August 15th, 2010
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Among the unique lop of female child actresses already or about to turn into hot properties for their impressive talent and major sex symbols for their knock-out looks is Amanda Bynes. Its an impressive class that includes the names Keira Knightley, Lindsay Lohan, Hilary Duff and Kristen Bell. But Bynes is one actress who has already reached television stardom through her shows “The Amanda Present” and “What I Like About You” and at the age of 16 she traveled to Europe to appear in a movie appropriately titled “American Girl.”

Before it was released (in early 2003) its title had been changed to “What a Girl Wants” and I sat there in a movie theater intelligent slight about it. I knew it had been filmed in my home country and starred Colin Firth who had been so reliable in “Bridget Jones’ Diary,” I came away impressed by the silly timing and the looks of an actress that would obviously in years-to-come state movie screens on fire.

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“What a Girl Wants” is at its heart a record about a girl searching to accept herself. Bynes plays Daphne Reynolds and her mother Libby is played by Mrs. John Travolta (Kelly Preston) . The two live in Original York City and Daphne spends her time helping out at weddings where her mother is a singer and longing to know a father she has never met. It is observing the father-daughter dance at one of these weddings (where the filmakers extinct precise fathers and daughters) that our hearts go out to Daphne and she determines a drastic view of action – traveling to London and confronting her absent father.

The movie has it all – heart, laughter, suspense, romance. Its culture clash theme has been done before and better (Crocodile Dundee for example) but we have so grand emotion invested in Daphne’s dilemma that we cannot benefit but become engrossed in this movie.

Jonathon Pryce proves that his villainous turn in “Tomorrow Never Dies” was no fluke by pulling out a gargantuan performance here as the political advisor of Daphne’s father (Firth) . Thing is, Firth’s character -Henry – is running for political office and Pryce sees Daphne as a liability to his boss’ career and her presence an obstacle to his becoming father-in-law to the wealthy and politically grand Henry.

This DVD has an impressive number of special features, the crown jewels of which are the two scene specific audio commentaries, one by Bynes and the second by the director and two writers.

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I Liked how the subtitles automatically arrive up when commentaries are playing. If you have only seen it once it helps preserve track of where you are in movie.

Light, fluffy, exuberant Amanda Bynes chats about working with the other actors, and how intimidated she was by some of the people she worked with. In her commentary she mentions how the weather was when a scene was shot – it was hot, hunid, raining etc

Obviously Bynes has a astronomical deal of respect for Firth and Preston and almost inevitably Bynes spends a lot of time talking about clothes – titanic boots when hopping over the wall, commenting on how terrifying the dress to a ball is etc. Bynes literally coos over emotional moments.

Hers is a fun commentary, but there are some gaps. I liked the recounting of anecdotal moments such as her tale of being mobbed by fans on bridge that crew could not obtain permission to end for shooting.

On the second commentary director Dennie Gordon joined by the two writers Jenny Bicks and Elizabeth Chandler (the Amazon listing is wrong in identifying them as actors) . As one might inquire of this is more technical in details and as such serves as a nice inequity to Bynes solo track. The writers discuss such matters as how long they worked on it, the fresh inspiration and discuss different titles (the unusual title “American Girl” is mentioned on both tracks) . The director talks about how improbable the actors are and seems particularly gratified with Bynes performance.

Overall this is a very delightful family film and a mammoth DVD package.

My friends saw the coming attractions for this movie a number of months ago. When they saw that it starred Colin Firth, they all shouted at the cover, “What Peggy Wants.” I’m a confirmed firth-a-holic. But, I conception this movie might be another “Thousand Acres” and so waited til it came out on DVD to contemplate it.

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This is not tremendous art or even large cinema. But, hell, it’s a lot of fun! And many times that’s what I crave from a movie.

The fair acting comes from Mr. Firth who is perfectly cast as the English gentleman who would be PM — and looks a bit like Tony Blair to boot.

His wild past with an American rock singer comes to an waste that is elephantine of deception. And 17 years later his daughter from that past comes to get her dad.

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Amanda Bynes is cute. She doesn’t really need to act. Unruffled, the on conceal chemistry between she and Firth brings out some potentially extraordinary talent in this adorable young lady.

There’s a lot of obliging humor and the music ain’t terrible either.

The scene where Firth dons leather pants and dances in front of the mirror is imspired.

For trivia buffs — Anna Chancelor plays Mr. Firth’s fiancee who is in it for the political prestige. Some may glimpse her as the unmarried Miss Bingley from the A&E/BBC Pride and Prejudice. She’s a colossal character actress. She doesn’t salvage him in this legend, either.

And — was it my imagination that her stuck up daughter (Clarissa) bears such a striking resemblance to Reese Witherspoon? Reese played Firth’s ward in The Importance of Being Earnest.

Ok. Final thoughts. It’s a fun movie. As with Bridget Jones’s Diary — it’s also a feel agreeable movie — and those are the ones I tend to explore again and again. Granted: Bridget Jones is an example of broad film as well as a fun movie. Unruffled, with Colin Firth in What a Girl Wants — so worthy the better.
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Get Mr. Wong, Detective DVD At Amazon.com!

August 10th, 2010
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VCI Entertainment presents “MR. WONG, DETECTIVE: THE COMPLETE COLLECTION” (1938-1940) (403 mins) (In Blooming Dim & White/Fully Restored/Dolby Digitally Remastered) — Boris Karloff (born William Henry Pratt) was an English actor who emigrated to Canada in the 1910s — He is best known for his roles in dread films and his portrayal of Frankenstein’s monster in the 1931 film Frankenstein — His popularity following Frankenstein in the early 1930s was such that for a brief time he was billed simply as “Karloff” — In disagreement to the characters he played on cloak, Karloff was known in right life as a very kind gentleman who gave generously, especially to children’s charities — Karloff was also a charter member of the Shroud Actors Guild, and was especially outspoken regarding working conditions on sets (some extremely unsafe) that actors were expected to deal with in the mid-1930s.

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In the next few paragraphs are reviews of Mr. Wong, the detective played to the hilt by Boris Karloff — 1938-1940 Monogram series with suspenseful whodunit — ask the request as the “how” in each of his cases to be solved — Although made up to ogle vaguely Asian, Karloff eschews the stereotypical cadences and one liner sayings of those rival Asian sleuths Mr. Moto and Charlie Chan and is more believable than both detectives — Karloff as Mr. Wong is tranquil up there with the best of them for mysteries and suspense in the film annuals.

BIOS:

1. Boris Karloff (aka: William Henry Pratt)

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Date of Birth: 23 November 1887 – Camberwell, London, England, UK

Date of Death: 2 February 1969 – Midhurst, Sussex, England, UK

“MR. WONG DETECTIVE” (5 October 1938) (69 mins/B&W) (Fully Restored/Dolby Digitally Remastered) — Account line and region, Monogram Pictures at its best — As Mr. Wong discovers, the retort is to be found in the origin and purpose of the mysterious pieces of glass found come each victim — When a chemical manufacturer is killed after asking detective James Wong to benefit him — Wong investigates this and two subsequent murders — He uncovers a international leer ring hoping to grasp the formula for a poison gas being developed by the first victim’s company — Grant Withers, who appeared in five of the six films as the ubiquitous boring police detective — The climactic sequence is one of the better ones that you’ll seek in this kind of B-movie — but with a solid fable and Karloff in the lead, it’s definitely worth seeing.

the cast includes:

Boris Karloff … Mr. James Lee Wong

Grant Withers … Captain Sam Street

Maxine Jennings … Myra Ross, Dayton’s Secretary

Evelyn Brent … Olga Petroff / Countess Dubois / Sophie Dome

“THE MYSTERY OF MR. WONG” (8 March 1939) (68 mins/B&W) (Fully Restored/Dolby Digitally Remastered) — Fable line and region, Is a classic mystery as The Glance of the Daughter of the Moon, a golfball sized sapphire has been stolen in China and smuggled into the United States — And Richards, a rich man who knows a curse was placed on the Watch by the Emperor Hong Chong Tu as he buried it in his uninteresting unfaithful wife’s heart, expects to be murdered for receiving it — Richards shows Mr Wong the Spy and a death threat designate — Sight and acquire ticket that at a party, during a game of “Indications”, Richards is shot, seemingly by his secretary, Peter Harrison — Many suspects emerge, a peeking Chinese butler and maid, a budding singer, another criminologist, Richards’ lawyer and an unsigned changed will. Mr Wong helps Street sort out the details to narrate all the secrets and the murderer.

the cast includes:

Boris Karloff … James Lee Wong

Grant Withers … Police Captain Sam Street

Dorothy Tree … Valerie Edwards

Craig Reynolds … Peter Harrison

MR. WONG IN CHINATOWN” (1 August 1939) (71 mins/B&W) (Fully Restored/Dolby Digitally Remastered) — Fable line and set, Peruse this unfold as radiant Chinese woman, seeking wait on from San Francisco detective James Lee Wong, is killed by a poisoned stagger in his front hall, having time only to scrawl “Captain J” on a sheet of paper, what does this mean — She proves to be Princess Lin Hwa, on a secret military mission for Chinese forces fighting the Japanese invasion — Can any clue back our master detective as Mr. Wong finds two captains with the initial J in the case, neither being quite what he seems; there’s fog on the waterfront and someone unruffled has that poison run gun — Karloff held this report together and has made this film a apt Mr. Wong series classic for all Karloff fans.

the cast includes:

Boris Karloff … Mr. James Lee Wong

Marjorie Reynolds … Roberta ‘Bobbie’ Logan (reporter)

Grant Withers … Police Capt. Bill Street

Huntley Gordon … Mr. Davidson (bank president)

“THE FATAL HOUR” (15 January 1940) (68 mins/B&W) (Fully Restored/Dolby Digitally Remastered) — Sage line and space, Oriental detective Mr. Wong has successfully solved quite a lot of difficult cases, with his fine observation talents and respectable deduction skills — unequaled master actor Boris Karloff in the role James Lee Wong. Police — When Captain Street’s best friend Dan O’Grady is murdered, Street enlists the assist of Chinese detective James Lee Wong. Mr. Wong uncovers a smuggling ring on the waterfront of San Francisco and unmasks the killer, though not until several more murders occur — where all the smuggling import and export takes state – is the certain suspect, but there are a lot more people eager — I liked the realistic aspect that Wong isn’t a elegant hero who prevents further murders from happening and thus has to face several more stupid bodies during his investigation — Karloff is terrific and he receives great feedback from the supportive cast. Particularly Marjorie Reynolds is likable as the obtrusive yet friendly gossip reporter Bobby Logan

the cast includes:

Boris Karloff … James Lee Wong

Grant Withers … Capt. Bill Street

Marjorie Reynolds … Roberta ‘Bobbie’ Logan

Charles Trowbridge … John T. Forbes

“DOOMED TO DIE” (12 August 1940) (68 mins/B&W) (Fully Restored/Dolby Digitally Remastered) — Fable line and spot, Karloff returns once again as the famed Chinese detective James Lee Wong to solve the slay of a shipping tycoon — As usual what seems like an launch and shut case to Capt. Street (Grant Withers) fleet becomes a web of deceit, lies and assassinate! — Karloff is, of course, mammoth as Wong. I loved his entrances from the most unlikely places, such as windows or fire escapes — Thus far, Shipping magnate Cyrus Wentworth, downcast over a distress to his ocean liner ‘Wentworth Castle’ (carrying, oddly enough, an illicit shipment of Chinese bonds) is shot in his office — What has at the very moment of kicking out his daughter’s fiance Dick Fleming to do with this case — Of course, Captain Street arrests Dick, but reporter Bobbie Logan, the magnificent thorn in Street’s side, is so convinced he’s unsuitable that she enlists the succor of detective James Lee Wong to win the genuine killer — What unfolds later in the film is quite a mystery in itself.

the cast includes:

Boris Karloff … James Lee Wong

Marjorie Reynolds … Roberta ‘Bobbie’ Logan

Grant Withers … Capt. William ‘Bill’ Street (Homicide Squad)

William Stelling … Dick Fleming

Catherine Craig … Cynthia Wentworth

Guy Usher … Paul Fleming (Dick’s father)

Henry Brandon … Victor ‘Vic’ Martin (attorney)

“PHANTOM OF CHINATOWN” (18 November 1940) (62 mins/B&W) (Fully Restored/Dolby Digitally Remastered) — Anecdote line and situation, Detective James Lee Wong (Keye Luke) is on the scene as archeologist Dr. John Benton, recently returned from an expedition in China where a principal customary scroll was recovered, is murdered while giving a lecture on the expedition — Key Luke is graceful, charming, dashing, dauntless and clever as James Lee Wong, and he meets his perfect match in Lotus Long, the mysterious Chinese secretary of a renowned Anglo-American archaeologist.— Luke shows his feelings for Long with his eyes and smile. Lee Tung Foo also deserves mention in a fun turn as Wong’s servant.

the cast includes:

Keye Luke … James Lee ‘Jimmy’ Wong

Grant Withers … Police Captain Street

Lotus Long … Net Lee, Benton’s Secretary

Lee Tung Foo … Foo, Jimmy’s Cook

Charles F. Miller … Dr. John Benton / Cyrus Benton in Newspaper (as Charles Miller)

Huntley Gordon … Dr. Norman Wilkes

BIOS:

2. Keye Luke

Date of Birth: 18 June 1904 – Guangzhou, China

Date of Death: 12 January 1991 – Whittier, California

SPECIAL FEATURES BONUS:

1. Scene Selection

2. Photo Gallery

3. Bonus Serial Chapter: Red Barry (1938) – Chapter 1

4. Classic Boris Karloff Movie Trailers

5. Classic Cartoons of the Era

Hats off and thanks to Robert Blair and his staff at VCI Entertainment — VCI was named in Variety and Hollywood Reporter as the first company to perform and release motion pictures directly to the home marketplace — order your copy now from Amazon or VCI Entertainment where there are plenty of copies available on DVD, end tuned once again for top notch releases — VCI are experts in releasing long forgotten films and treasures to the collector — looking forward to more Nostalgic Collections.

Total Time: 403 min on VHS/DVD ~ VCI Entertaiment ~ (3/25/2008)

When a shipping magnate is found murdered in a locked room, the illustrious Chinese detective James Lee Wong goes to work secure the killer and the seemingly impossible diagram of abolish. Monogram Studios was obviously capitolizing on the success of 20th Century Fox’s Charlie Chan and Mr. Moto films when they decided to manufacture this film, but had the valid sense to hire Boris Karloff, who brought his usual polish and charm to the role of Mr. Wong. Monogram, one the so-called “poverty row” studios, notion enough of Karloff (and the film) to give him a strong supporting cast and an fascinating mystery memoir to work with. The result is no classic, but level-headed a very lively film that proved Karloff was distinguished more than impartial a “boogeyman.”By the method, the spot was satisfactory enough that, several years later, Monogram reused it for one of THEIR Charlie Chan films!
Master Cleanse

Best Price On Bedknobs and Broomsticks Enchanted Musical Edition At Amazon.

August 2nd, 2010
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Ever since I was a child, this magical Disney classic has always captured my imagination. The fantastic songs by the Sherman brothers, the incredible mixture of live-action and animation, and the magical special effects obtain this timeless film curious to viewers of all ages. The casting was big, especially David Tomlinson, who was also terrific in “Mary Poppins” and “The Fancy Bug”. My two popular scenes in this are the hilarious soccar match and the “battle” at the raze between the knights and the German soldiers. By the blueprint, the scene where the “flying” dress lands on Roddy McDowall is the only scene (that I know of) where you can clearly peek the wires attached to a flying object or person in the movie. This is easily one of Angela Lansbury’s best performances, and it’s one of the best films directed by the stout Robert Stevenson (Disney’s greatest director ever in my humble view) . I was a diminutive disappointed by the “special edition” dvd. It claims to have a featurette on the making of the film, but the featurette focuses only on the film’s music. I was hoping for a documentary explaining the proper making of the film, especially the incredible special effects. At least the movie has been wonderfully restored and is very well-priced. This big film is highly recommended for Disney fans.

In 1971, Bedknobs and Broomsticks, a film many call a Mary Poppins rip-off, premiered at Radio City Music Hall, but in a version in which nearly half an hour of footage, including paunchy songs, was removed. For its 25th Anniversary in 1996, Disney re-inserted all of the deleted footage except for one musical number in which the characterize was lost. The Academy Of Motion Record Arts And Sciences screened this in 1996, but it didn’t gather a theatrical release, and for years, the only device Americans could accumulate it was either by the 1997 laserdisc release, an import of a European video, or by catching it on occasion on the Disney Channel.

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Finally, in 2001, for the film’s 30th Anniversary, Disney released a DVD with this extended version of the film. Restored and remastered, the film now has a clearer dwelling, extended musical numbers, and songs previously deleted. The smart “Portobello Road” number is now restored to its current running time, as well as Miss Price’s response verses, titled “Don’t Let Me Down” during Mr. Browne’s song “Eglantine,” and the previously entirely deleted songs “With A Flair” and “Nobody’s Problems” are restored to the film.

The DVD is a mixed bag. The transfer is quite nice, but Lowry Digital, who did the original Mary Poppins, Bambi, and Cinderella DVD restorations, could punch it up a tiny, as on occasion, I saw a bit of grain, and the occasional film artifact, especially during the closing credits and Walt Disney Pictures logo. However, this film has collected never looked better on home video, so it’s dazzling with me.

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The extras could have been better. An trusty making-of on the film would have been nice, including footage primitive in the Music Magic featurette. While that featurette does give some nice insight on the restoration, there’s nothing behind-the-scenes about it except for the creation of the music gather. Nothing about the effects, actors, nothing. But it’s worth a perceive for info on the film’s 1996 restoration. A larger gallery would have been nice. I do like the inclusion of the two cartoons. And of course, I’m elated to witness that they have included theatrical trailers.

The best supplement, however, is the deleted song A Step In The Honest Direction. That song was the catalyst that jump started this restoration project to inaugurate with, so there’s a bit of irony here in the fact that they couldn’t pick up the footage of the song. So the supplement on the DVD, which is ported over from the 1997 laserdisc and was shown after the movie when the Disney Channel aired the restored version, is reconstructed using serene photos of the scene and the unique soundtrack. Hopefully one day, the footage will be found and they will be able to reinstate the number into the film, or at least they’ll settle to include the photo reconstruction a la the restored version of A Star Is Born with Judy Garland.

Some have complained that there isn’t an option to behold the current, shorter version due to its length and/or the dreadful dubbing of the voices in deleted scenes. (For considerable of the non-musical deleted footage, new dialogue soundtracks could not be found, so many of the deleted scenes had to be re-dubbed.) While I select the restored version despite the dubbing flaws, I contemplate it would be wise of Disney to release both versions on DVD. Next year is the 35th Anniversary – maybe Disney will fabricate a 2-disc DVD featuring both editions, with bonuses spread out on each disc, to appease all fans. Or better yet, a 3-Disc Collector’s Edition, with discs 1 and 2 containing both cuts of the film and disc 3 with all the supplements. While neither edition is likely, the 2-Disc is a more likely option.

In conclusion, I can heartily recommend this DVD. The film has been lovingly restored and remastered, featuring almost all of the footage left on the cutting room floor in 1971, and features a nice handful of bonuses.
Total Gym 2000

Get The Bride Came C.O.D. Video At Amazon.com!

August 2nd, 2010
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I always have a laugh at the cute title of this obscure runt film that never features in the ‘greats’ lists of Hollywood legends Bette Davis and James Cagney. In the halcyon period from 1937 to 1946 it was rare indeed to survey Bette Davis, the newly annointed Queen of Warner Brothers Studios, in anything but power house Academy Award nominated dramatic roles like ‘Jezebel’, and ‘The Letter’,which is why this film comes as a surprise when examining her well-known film career. Thoughts on ‘The Bride Came C.O.D’, vary from it being Bette Davis’ worst career mistake, accurate through to it providing her and Cagney with a refreshing change of sprint for two established veterans. I’ve always had a grand fondness for this anguish and even though Davis in particular is not distinguished as a amusing actress it is extraordinary to gawk her tackle something light hearted and wacky which was light years away from most of her other work in this period.

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In their first teaming since ‘Jimmy the Gent’, both Davis and Cagney acquire a favorable attempt at delivering this type of screwball comedy normally associated with the likes of Cary Grant, and Claudette Colbert. Bette Davis plays short-tempered oil heiress Joan Winfeild, and as the legend begins she impulsively announces at a night club that she is going to cruise to Las Vegas to wed Hollywood bandleader Allen Brice (Jack Carson), after only gleaming him for four days. The resulting furore among the press over this headline grabbing tale alerts Joan’s father Lucius K. Winfeild (Eugene Pallette), to what is about to happen. Anxious to halt his impulsive daughter from making another mistake Lucius hires cocky charter pilot Steve Collins (James Cagney), to literally ‘kidnap’ the bride to be and return her to him unwed. The two strike a deal whereby Steve will be paid when he ‘delivers’, Joan at the rate of ten dollars for each pound she weighs air freight! As the soon to be wed couple attempt to leave for Las Vegas on Steve’s plane, Steve with the assistance of his buddy Pewee (George Tobias), highjacks the plane and begins the scamper to choose Joan support to her father. A enraged Joan attempts to jump off the plane using a nefarious parachute and in the struggle that follows she manages to do Steve shatter land the the plane in the Californian desert. Joan gets her honest deserts however when she rolls out of the plane and promptly lands in a cactus patch. The fiery relationship that has naturally developed between the two is not improved when Steve takes responsibility for removing the cactus spines from Joans very embarrassed backside! The next morning the pair regain a ghost town not far off in the distance where they become acquainted with its sole resident, crusty frail gold miner Pop Tolliver (Harry Davenport) . Pop takes a liking to the pair and can observe that underneath all the verbal fights and cutting remarks that a sincere worship is growing between them. Meanwhile the press and Joan’s father are all wanting to know what has happened to her and before long the press and the disgruntled fiance Allen Brice commence to drop on the desert situation in a location wide search for the missing heiress. Finding her at the Ghost town Allen insists that they salvage married apt there and both Steve and Pop pull every trick in the book to close the wedding going ahead, from Pop pretending that they are actually in Nevada which makes the wedding illegal without the proper licence, to Steve trapping Joan in an used gold mine pretending they are sealed in . Joan of course begins to realise her impulsive mistake in agreeing to marry the loudmouth Allen and despite herself begins to descend in fancy with the brash Steve. All ends happily for the pair with the police set off the scent and Pop eventually playing host to the blissful honeymooners in his ghost town hideaway.

Wild and wacky is the only arrangement to record ‘The Bride Came C.O.D’. Even after repeated viewings it is mild startling to glimpse dramatic queen Bette Davis in such a different role as here. The stare of her being lent over Cagney’s lap and having cactus spines removed from her gradual is worlds away from her ‘tragedy queen’,triumphs during these years. I feel it gives her a savory change of bound that suits her and rarely has she looked better on shroud than here thanks to the ample work by cinematographer Ernest Hallerthan. Her chemistry with James Cagney in his trademark cocky role is terrific and it’s a pity the two didn’t work together more often. Jack Carson’s largely thankless role is really only reveal as a foil for Cagney’s barbs however notorious character actor Harry Davenport is a delight as the stale timer with the heart of gold who is responsible for getting Steve and Joan together. Fine Eugene Pallette while having a remarkable smaller section delivers his usual suited performance as the gravel voiced ‘new rich’, father to Davis’ character. Director William Keighley does a masterful job keeping this quick paced scenerio arresting and his direction of Bette Davis really reveals another whole side to this legendary star who could be breezy and wild given the apt vehicle. The extensive spend of station shooting in Death Valley gives ‘The Bride Came C.O.D’, a strong realistic notice to it despite the terribly hot conditions encountered by cast and crew during the daytime filming in the desert.

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Bette Davis of course will always be remembered as a dramatic actress first and foremost but I would whisper any fan of her work to check out this miniature known film. It wouldn’t regain any large awards but that is no measure on how engaging a film can be. Bette Davis herself was quoted as saying she and Cagney had mountainous fun making it but that she felt it was a largely mediocre trouble. Maybe, but unique audiences can mild have fun seeing Warner Brothers greatest dramatic actress brought down to earth with a thud in ‘The Bride Came C.O.D’. Enjoy

I also treasure The movie, The Bride Came COD and wish it was on DVD!It is about a Unpleasant tempermental heiress who wants to marry some guy who her father hates and she runs off to marry him and she meets a no nonsense pilot who is planning on returning her to her father but they wind up getting stranded together and the sparks flit!Yes this movie is very humorous but it’s a helpful movie anyway and Bette Davis and James Cagney are friendly and I want this movie on DVD! I have seen other Bette Davis Movies and I idea they were sizable movies but thsis my current!
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Shop For Mrs. Palfrey at the Claremont On Line.

July 31st, 2010
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After the film came to an kill (I’d rented it on DVD), a friend who had enjoyed it with us said, “Where did you hear about this movie? ” And I wasn’t quite clear where I’d first seen mention of the film until, in watching an extra on the DVD, Joan Plowright’s acceptance speech as winner of a best actress award from AARP, I realized it had been in a original AARP magazine I’d received. If we lived in a unprejudiced world, then Joan Plowright’s performance as Mrs. Palfrey would have received an Academy Award nomination last year. When one considers what passes for entertainment nowadays, this film can stand head and shoulders above so many. No sense giving you a rundown on the record itself; suffice it to say that, if you’ve any curiosity as to what ageing will be like, if you’ve any curiosity as to how those inviting into their later senior years deal with the pleasant and dreadful of growing older, this movie will allege you. And this chance possibility of paths crossing, lives changed, the opportunity to grow from a chance encounter and a friendship formed are all beautifully explored in this astonishing tiny film. Rupert Friend delightfully holds his beget as he and Ms Plowright make what might seem like an unlikely but attractive friendship. There is nary a erroneous recede in his performance nor hers. I’m buying a DVD copy of my have to piece with my many senior friends who, I’m positive, have yet to appreciate this sage.

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One chance meeting, two changed lives. I suggest before you peruse the DVD you listen to the yarn of the producer and director which is a value add on the DVD. It will give you great4er insight into this toothsome film that seems timeless. An exquisite wido Joan Plowright plays Mrs. Paltrey who moves into a area hotel called the Claremont in London. Instead of it being a cosmopolitan boutique hotel, it turns out to be one of those forgettable places with the bath down the hall. A chance meeting with a dashing young writer Rubert Friend changes both of their lives. They were meant to meet. NO this is not a may/december treasure sage but it is a romance of a sure kind. A nice valentine to any age who doesn’t know that worship comes in many places and ways in our lives. And it’s vital to embrace it and bag it and be grateful for what crosses our path. Family of choice is sometimes so mighty more meaningful than family of chance (the one you’re born into) . This was an indy film made for $1 million on position in London — astounding quality and a charming script. Bravo.
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